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Free for Commercial Use

Sans Normal Afmaj 4 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Bari Sans' by JCFonts, 'Reyhan' by Plantype, 'Nu Sans' by Typecalism Foundryline, 'Peter' by Vibrant Types, and 'Biwa' by Wordshape (names referenced only for comparison).

Keywords: ui labels, branding, editorial heads, posters, signage, modern, clean, technical, efficient, neutral, clarity, modern emphasis, neutral utility, systematic consistency, oblique, geometric, rounded, monoline, open counters.


Free for commercial use
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A slanted, monoline sans with geometric construction and smoothly rounded curves. Strokes keep a consistent thickness with minimal modulation, producing even color and a steady rhythm in text. Uppercase forms are clean and relatively wide, with open apertures and straightforward joins; diagonals are crisp and the overall fit feels comfortably spaced. Lowercase shapes are compact and practical, with a simple double-storey “a” and a single-storey “g,” and numerals follow the same rounded, utilitarian logic for clear alignment and reading.

It works well for headlines, short paragraphs, navigation labels, and product/tech branding where a clean italic voice is needed. The even stroke and open shapes support legibility in dashboards, marketing callouts, and wayfinding-style applications, especially when a forward-leaning emphasis is desired.

The font conveys a contemporary, matter-of-fact tone: streamlined, professional, and quietly energetic due to its slant. It feels suitable for interfaces and branded communications that want to appear modern and efficient without becoming flashy or expressive.

The design appears intended to provide a straightforward italic companion or standalone slanted sans that stays geometric and consistent. Its goal is clarity and modernity, delivering a neutral, versatile tone with a subtle sense of motion for emphasis.

The italic angle reads as an oblique lean rather than calligraphic italics, keeping terminals and structure mechanically consistent. Curves (notably in O/C/S and the bowls) stay smooth and regular, helping maintain clarity at display sizes while remaining usable in short text runs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸