Print Suma 12 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Clinica Pro' by Mint Type, 'Reyhan' by Plantype, and 'Founder' and 'Founder Rounder' by Serebryakov (names referenced only for comparison).
Keywords: posters, packaging, kids, headlines, branding, playful, folksy, friendly, quirky, handmade, handmade feel, friendly tone, whimsy, display impact, rounded, chunky, soft corners, bouncy, casual.
A chunky, rounded print style with a clearly hand-drawn feel and softly irregular outlines. Strokes are thick and slightly uneven, with gently blunted terminals and subtle wobble that keeps the texture lively. Proportions vary from glyph to glyph, giving the alphabet a bouncy rhythm; counters tend to be compact and rounded, and curves dominate over sharp geometry. Overall spacing reads open enough for display use, while the slightly restless contouring adds character to every line.
Best suited to short text where personality is the priority: posters, invitations, playful branding, craft packaging, and children-oriented materials. It can also work for social graphics and signage-style headlines, especially where a friendly, handmade voice is desired.
The font conveys an upbeat, approachable tone—more whimsical than formal—like marker lettering or painted signage. Its uneven edges and buoyant shapes suggest warmth and humor, making it feel personable and craft-oriented rather than corporate. The overall impression is cheerful, informal, and a bit mischievous.
The design appears intended to emulate casual hand-printed lettering with a bold, rounded silhouette, prioritizing charm and approachability over strict geometric consistency. Its variable proportions and softened terminals are likely meant to keep repeated letters from feeling mechanical and to add an illustrative, human rhythm in display settings.
Distinctive, slightly idiosyncratic forms (including a playful tail on the Q and rounded, compact numerals) enhance recognizability. The texture of the outlines becomes more noticeable at smaller sizes, where the organic irregularity can read as a deliberate “handmade” grain.