Sans Superellipse Olnus 7 is a regular weight, narrow, monoline, upright, tall x-height font visually similar to 'Reader Condensed' by Colophon Foundry, 'Antiquel' by Lemonthe, 'MVB Diazo' by MVB, 'PF Eef' by Parachute, and 'SAA Series C' by URW Type Foundry (names referenced only for comparison).
Keywords: ui labels, branding, wayfinding, packaging, posters, modern, neutral, technical, efficient, clean, clarity, space efficiency, systematic geometry, contemporary utility, compact, rounded corners, squarish rounds, geometric, high contrast-free.
A compact sans with monoline strokes and a largely geometric construction. Curves tend toward squarish, superellipse-like bowls with softly rounded corners, giving round letters a controlled, boxy rhythm. Terminals are mostly flat and clean, with minimal modulation, and the overall proportions favor narrow widths with a tall lowercase presence. The digit set follows the same squared-round logic, and punctuation and counters stay open and straightforward for a crisp texture in text.
Well-suited to interface typography, app navigation, dashboards, and other space-constrained layouts where a compact footprint is useful. It can also work for contemporary branding, packaging, and wayfinding systems that want a clean, engineered look. At larger sizes its squared-round geometry becomes a distinctive display voice for headlines and short statements.
The tone reads modern and matter-of-fact, with a subtle technical flavor from the squared curves and tight proportions. It feels efficient and utilitarian rather than expressive, projecting clarity and restraint.
The design appears intended to deliver a clear, contemporary sans optimized for compact setting while preserving friendliness through rounded corners. Its superellipse-like curves and consistent stroke treatment suggest a focus on systematic geometry and repeatable shapes across letters and numerals.
In running text the compact width creates a dense, vertical color, while the rounded-rectangle curves keep forms from feeling harsh. Uppercase forms appear sturdy and signage-friendly, and the lowercase maintains a consistent, workmanlike rhythm with simple, familiar shapes.