Sans Other Uhse 11 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, ui labels, technical, architectural, futuristic, diagrammatic, quirky, sci-fi display, technical sketch, geometric experiment, distinctive titling, wireframe, geometric, angular, faceted, narrowish.
A wiry, geometric sans built from thin, monoline strokes and crisp corners. Letterforms favor faceted, almost polygonal outlines with frequent right-angle turns and occasional chamfer-like joints, giving many characters an open, constructed feel. Counters are often boxy or partially open (notably in C, G, and several lowercase forms), and diagonals appear sparingly but decisively in shapes like A, K, V, W, and X. Proportions lean tall with a relatively modest x-height, and spacing reads even but slightly mechanical due to the rigid stroke logic and angular terminals.
Best suited to display applications such as headlines, posters, tech branding, packaging accents, and UI/wayfinding labels where a schematic, geometric voice is an asset. It can work for short blocks of text at larger sizes, but its angular constructions and open counters make it most effective when used sparingly and with generous spacing.
The overall tone is technical and schematic—more like lettering for plans, interfaces, or sci‑fi displays than a traditional text face. Its sharp geometry and wireframe presence convey precision and a cool, futuristic mood, with a subtle quirky edge from the irregular, hand-constructed angles.
This design appears intended to translate a hand-drawn technical or architectural sketch language into a coherent alphabet: thin strokes, straight segments, and faceted curves that suggest constructed geometry rather than written calligraphy. The aim seems to be a distinctive, futuristic sans with a consistent wireframe logic for standout titling and graphic use.
Uppercase and lowercase share a consistent angular grammar, but several glyphs intentionally deviate from conventional sans archetypes (e.g., segmented bowls and partially open forms), which increases personality while reducing neutrality. Numerals maintain the same faceted construction and read cleanly at display sizes, especially in contexts where a stylized, engineered aesthetic is desired.