Sans Other Tinu 2 is a very light, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, ui labels, packaging, techno, architectural, futuristic, minimal, schematic, sci‑fi aesthetic, technical labeling, minimal geometry, distinct display, rectilinear, angular, geometric, condensed, wireframe.
A highly rectilinear sans with open, monoline strokes and a strict, geometric construction. Curves are largely replaced by squared corners and straight segments, producing boxy counters and sharp directional changes in letters like C, G, S, and U. Proportions are tall and condensed, with long verticals, short crossbars, and ample interior whitespace that keeps the light strokes from clogging. Terminals are clean and blunt, and several forms show deliberate cut-ins and open joins that emphasize a technical, modular feel.
Best suited for headlines, logotypes, titles, and short blocks of text where its geometric construction can be appreciated. It works particularly well for technology, architecture, gaming, and science-themed graphics, as well as interface labels and signage-style applications where condensed, high-clarity forms are desirable.
The overall tone reads as futuristic and schematic—like labeling from a control panel, blueprint, or retro digital interface. Its stark geometry and airy strokes feel precise and engineered rather than friendly or handwritten. The style leans toward sci‑fi and minimalist design language, with a calm, clinical rhythm.
The design appears intended to translate a modular, grid-based drawing logic into a sans alphabet, prioritizing straight-line construction and a lightweight presence. By favoring squared curves and open joins, it aims to evoke technical precision and a forward-looking aesthetic while maintaining legibility in display settings.
The digit set mirrors the same squared, open construction, with simplified shapes and strong vertical emphasis. In running text the narrow set and open counters create a distinctive texture that is more display-oriented than neutral body copy, especially at smaller sizes where the thin strokes and open joins can become subtle.