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Stencil Abba 3 is a light, normal width, monoline, upright, normal x-height font.

Keywords: headlines, posters, signage, branding, packaging, art deco, modernist, futuristic, architectural, refined, stencil styling, display impact, geometric clarity, industrial tone, geometric, minimal, segmented, clean, stylized.


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A geometric sans with a consistent, monoline stroke and deliberate breaks that create a stencil-like construction. Curves are drawn as near-perfect circles and arcs, while verticals and diagonals stay crisp and straight, giving the design an engineered feel. Many letters use short gaps and bridge-like joins at key stress points (notably in rounded forms such as C, O, Q, and G), producing a segmented rhythm without sacrificing overall legibility. Proportions are open and airy with generous counters; terminals are mostly squared-off, and the overall spacing reads even and controlled in text.

Best suited to display applications where the stencil breaks can read as intentional detail: headlines, posters, museum or event graphics, signage systems, and brand marks. It can also work for short UI labels or product packaging where a clean, engineered aesthetic is desired, especially at sizes large enough for the internal gaps to remain clear.

The segmented geometry and circular forms evoke Art Deco signage and modernist wayfinding, with a sleek, futuristic edge. It feels precise and designed—more like lettering for architecture, exhibitions, or product UI than a casual text face. The broken strokes add a technical, fabricated tone reminiscent of cut metal, plotting, or industrial labeling.

The design appears intended to merge geometric modernism with a stencil construction, delivering a distinctive, fabrication-inspired look while maintaining recognizable letterforms. Its consistent stroke and controlled segmentation suggest a focus on visual identity and patterning rather than neutrality.

Distinctive circular constructions stand out in the numerals and rounded letters, where the breaks act as visual accents. Angular capitals (A, V, W, X, Y, Z) balance the many circular shapes, keeping the texture lively in all-caps settings. In longer text, the repeated gaps create a consistent pattern that becomes part of the font’s personality, so size and tracking choices will strongly influence the perceived clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸