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Free for Commercial Use

Sans Normal Opged 2 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Cronos' by Adobe, 'Proza' by Bureau Roffa, 'FF Advert' by FontFont, 'Makozin' by Hashtag Type, 'JAF Domus Titling' by Just Another Foundry, 'Mathieu Sans' by Machalski, and 'Beorcana Pro' and 'Beorcana Std' by Terrestrial Design (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, kids branding, playful, friendly, punchy, quirky, retro, expressive display, approachability, retro flavor, high impact, informal tone, chunky, rounded, soft corners, bouncy, compact counters.


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A heavy, rounded sans with slightly irregular, hand-cut shaping and softly squared corners. Strokes are thick and generally monolinear, with subtle modulation created by uneven terminals and gently wavering stems. Bowls and counters are compact and rounded, giving letters a dense, sturdy color, while widths vary noticeably from glyph to glyph for a lively rhythm. Numerals and lowercase follow the same chunky construction, with prominent dots and simple, sturdy forms that stay clear at display sizes.

Best suited to headlines, posters, packaging, and branding where a friendly, attention-grabbing voice is needed. It can work well for short bursts of text—titles, labels, and callouts—especially in contexts aiming for a retro or playful personality rather than long-form readability.

The overall tone is upbeat and approachable, with a casual, slightly mischievous energy. Its bouncy proportions and imperfect edges evoke a retro sign-painting or cartoon title feel rather than a strict geometric system, making it feel warm and human.

The design appears intended to deliver maximum impact with a warm, informal voice: a bold, rounded sans that feels hand-shaped and energetic. The varying widths and slightly irregular terminals suggest an aim toward expressive display typography that remains simple and legible.

Spacing looks designed for headlines: the heavy weight and compact counters can visually fill in at smaller sizes, while the variable glyph widths create a lively texture across lines. The lowercase has a particularly playful silhouette, with tall ascenders and distinctive, simplified shapes that emphasize character over neutrality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸