Sans Normal Opguz 5 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'City Boys Soft' by Dharma Type; 'Impara' by Hoftype; 'Dialog', 'Neue Frutiger Devanagari', and 'Neue Frutiger Hebrew' by Linotype; 'Skeena' by Microsoft Corporation; 'Lucida Grande' by Monotype; 'Organic Pro' by Positype; and 'Cora' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, industrial, contemporary, friendly, assertive, impact, clarity, modernity, brand presence, display strength, geometric, clean, sturdy, compact apertures, large counters.
A heavy, clean sans with broad proportions and a largely geometric construction. Strokes are strongly weighted with minimal contrast, producing solid silhouettes and a steady, even rhythm. Curves are generous and smooth (notably in C, G, O, and e), while joins and terminals stay crisp and straightforward, giving the design a no-nonsense feel. Lowercase forms are simple and sturdy, with compact apertures and round counters, and the numerals share the same bold, uniform presence for consistent texture in mixed settings.
Best suited to headlines, posters, branding marks, packaging, and signage where strong presence and clear shapes are priorities. It performs particularly well in short to medium-length lines and impactful typographic statements, including all-caps settings and large-scale applications.
The font reads as confident and modern, with an industrial straightforwardness that feels practical rather than decorative. Its wide stance and dense color lend an assertive tone that suits attention-grabbing messages while still feeling approachable due to the rounded, geometric curves.
The design appears intended as a robust, contemporary workhorse for display and branding, prioritizing strong silhouettes, consistent geometry, and dependable readability at larger sizes. Its simplified terminals and stable proportions suggest a focus on clarity and impact across print and digital applications.
At text sizes, the weight creates strong typographic color and emphasizes word shapes over fine detail. The wide set and tightly held openings in letters like a, e, and s can make the overall texture feel compact and impactful, especially in all-caps. Numerals appear designed to match the letters in mass and rhythm, supporting cohesive display compositions.