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Free for Commercial Use

Slab Square Hipe 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gimbal Egyptian' by AVP, 'Noemi Slab' by Brackets, 'Codename FX' by Differentialtype, 'Ciutadella Slab' by Emtype Foundry, 'Hexi' by Sign Studio, and 'JP MultiColour' by jpFonts (names referenced only for comparison).

Keywords: posters, packaging, signage, branding, headlines, western, headline, sturdy, retro, assertive, impact, vintage feel, brand presence, display clarity, blocky, bracketless, square-shouldered, compact, ink-trap-like.


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A heavy, block-forward slab serif with square, flat-ended terminals and minimal stroke modulation. Serifs are broad and mostly unbracketed, giving letters a carved, poster-like silhouette with strong right angles and chunky joins. Counters are relatively tight and round forms (O, C, G) appear slightly squared by the weight and terminal treatment. Lowercase uses robust, simplified shapes with short extenders and sturdy apertures; the overall rhythm is compact and punchy with clear separation between stems and slabs.

Best suited to large sizes where its slab details and compact counters can read clearly—posters, logotypes, labels, and storefront-style signage. It can also work for short bursts of text (pull quotes, section titles, menu headers) when a sturdy, vintage-flavored emphasis is needed.

The tone is bold and declarative, with a distinctly Americana and vintage display feel. Its chunky slabs and squared finishing convey toughness and a no-nonsense confidence, reading like traditional signage and print ephemera rather than refined editorial typography.

The design appears intended to deliver maximum impact with a simple, blocky construction—combining strong slabs and squared terminals to evoke traditional display printing and sign painting. It prioritizes presence and recognizability over delicacy, aiming for bold, dependable letterforms that hold up in branding and headline contexts.

The numeral set is especially weighty and geometric, matching the uppercase’s mass and giving figures a strong presence in headings. Diacritics and punctuation shown in the sample maintain the same blunt, square logic, helping the face stay consistent in dense, high-impact lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸