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Distressed Nudot 6 is a regular weight, normal width, medium contrast, upright, short x-height font visually similar to 'Corsica' by AVP and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: posters, packaging, labels, book covers, editorial display, handmade, retro, casual, crafty, quirky, handmade feel, vintage print, casual display, texture emphasis, textured, roughened, worn, inked, organic.


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A playful, hand-rendered roman with rounded, slightly irregular construction and softened corners. Strokes show visible roughening and uneven edges, as if from dry ink or worn printing, producing a lightly mottled texture across counters and terminals. Proportions are compact and somewhat variable from glyph to glyph, with simple geometric cores (round O/C, straightforward E/F) tempered by humanized inconsistencies and occasional wobble in verticals and diagonals. The lowercase maintains small, sturdy forms with modest ascenders and a compact feel, and the numerals follow the same informal, slightly uneven rhythm.

Best suited to display typography where the textured edges can be appreciated—posters, packaging, labels, book covers, and editorial headings. It can also work for short bursts of UI or social graphics when an informal, handcrafted tone is desired, but the built-in roughness makes it less ideal for dense small-size reading.

The overall tone is friendly and informal, with a nostalgic, handcrafted character that reads like printed ephemera or marker-made signage. Its texture adds a tactile, lived-in quality that feels approachable rather than gritty, giving headlines a relaxed, personal voice.

Likely designed to emulate handmade lettering with the imperfections of ink-on-paper or worn print, balancing simple, legible shapes with a deliberately imperfect surface. The goal appears to be adding warmth and personality to titles while keeping a clear, straightforward skeleton.

The distressed texture is integrated into the letterforms rather than applied as a separate overlay, so the roughness remains consistent at display sizes. Round letters (O, Q, g) emphasize the inked, slightly blobby edge behavior, while diagonals (V, W, Y) keep a lively, hand-drawn cadence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸