Sans Superellipse Ukbun 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'Elephantmen' and 'Elephantmen Variable' by Comicraft, 'FTY Galactic VanGuardian' by The Fontry, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, industrial, techno, athletic, assertive, retro, impact, clarity, modernity, robustness, approachability, blocky, squared, rounded, compact, geometric.
A heavy, geometric sans built from rounded-rectangle (superellipse-like) forms with large corner radii and blunt terminals. Counters are squarish and compact, and curves are minimized in favor of flat verticals and horizontals, giving the letters a sturdy, modular feel. Stroke thickness stays consistent throughout, with tight interior spaces and a relatively closed, solid silhouette that remains highly legible at large sizes. The lowercase shares the same squared construction and includes a single-storey “a,” while numerals follow the same rectilinear, rounded-corner logic.
Best suited to display roles where weight and shape character can lead: headlines, posters, logo wordmarks, sports identities, product packaging, and tech or industrial-themed graphics. It also performs well in short UI labels or navigation where a sturdy, high-impact sans is desired, though the tight counters favor moderate-to-large sizes.
The overall tone is bold and utilitarian, with a confident, engineered presence. Its softened corners keep the impact friendly rather than harsh, suggesting contemporary tech, sports branding, and streamlined retro-futuristic aesthetics.
The font appears designed to deliver maximum visual impact with a clean geometric system: squared, rounded forms that read as modern and robust while staying approachable. It prioritizes strong silhouettes and a consistent, modular construction for branding-forward typography.
The design emphasizes broad shoulders, narrow apertures, and crisp right angles softened by generous rounding, producing a distinctive “stamped” or “machined” rhythm in text. The shapes feel intentionally compact, which helps create strong word silhouettes and dense, poster-ready color.