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Free for Commercial Use

Sans Normal Ludam 1 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Futura' and 'Futura Paneuropean' by Linotype, 'Futura Now' by Monotype, 'Futura TS' and 'TS Ornitons' by TypeShop Collection, and 'Azur' by Wiescher Design (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, playful, sporty, friendly, punchy, retro, impact, approachability, energy, display clarity, rounded, soft, chunky, slanted, compact.


Free for commercial use
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A heavy, rounded sans with a pronounced rightward slant and compact internal spaces. Strokes are monolinear in feel, with broad, smoothly curved bowls and softened corners that keep the texture dense and even. Counters are relatively tight for the weight, and the numerals and lowercase maintain a consistent, bold silhouette with slightly lively, not-too-geometric curves. Overall spacing reads sturdy and close, producing a strong, dark typographic color in text and headlines.

Best suited for headlines and short blocks of copy where a strong, friendly voice is needed—such as posters, storefront signage, and bold brand marks. It also fits packaging and promotional graphics that benefit from high-impact, rounded typography, and works well for sporty or youth-oriented themes where energy and approachability are key.

The font projects an upbeat, energetic tone with a friendly softness under the mass of the letterforms. Its slant and rounded shapes give it a sporty, casual confidence that feels approachable rather than corporate. The overall impression is bold and expressive, leaning toward fun and retro-leaning display personality.

Likely designed to deliver maximum visual impact with a warm, rounded sans structure and a dynamic slant, balancing assertiveness with approachability. The consistent curve language and dense color suggest an emphasis on display readability and bold personality in branding and advertising contexts.

The italic construction appears as a true slanted design rather than a simple oblique, with curves and joins that stay coherent at large sizes. Round characters like O/C/G and lowercase o/e show a consistent oval logic, while diagonals (K/V/W/X) remain thick and stable, supporting a strong headline presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸