Sans Other Korim 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Mezalia Sans' by Arrière-garde (names referenced only for comparison).
Keywords: headlines, posters, packaging, book covers, branding, lively, casual, quirky, hand-drawn, playful, expressiveness, handmade feel, display impact, friendly tone, angular, oblique, calligraphic, rhythmic, informal.
A slanted, sans-leaning display face with softly irregular, hand-cut geometry. Strokes are mostly monolinear, with tapered endings and occasional wedge-like terminals that create a subtly calligraphic feel without true serifs. Curves are slightly faceted (notably in round letters and numerals), and many joins show a gentle, brushlike modulation through angled cuts rather than contrast. Proportions vary from glyph to glyph, giving the alphabet a lively, variable rhythm and a distinctly non-mechanical texture.
Best suited to short-to-medium text settings where personality matters: headlines, posters, packaging, and branding accents. It can work for pull quotes or chapter openers, but its irregular rhythm and expressive slant are more effective at larger sizes than in dense body copy.
The overall tone is energetic and personable, reading as playful and slightly quirky rather than formal. Its oblique stance and angular cuts give it a dynamic, forward motion that feels handcrafted and expressive, suitable for friendly, attention-getting typography.
The design appears intended to blend sans simplicity with a handcrafted, italicized gesture—delivering an approachable, contemporary display voice that feels drawn rather than engineered. Its faceted curves and tapered terminals suggest an aim for motion and character while keeping letterforms broadly familiar.
Uppercase forms stay relatively open and readable while still showing stylized angled corners (e.g., the round letters and diagonals), and the lowercase introduces more cursive-like movement, especially in letters with long descenders and looping shapes. Numerals follow the same faceted, oblique logic, with rounded forms rendered as angled ovals and clear directional stress.