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Free for Commercial Use

Sans Normal Bilov 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fazeta Sans' by Adtypo, 'FF Kievit' by FontFont, 'Whitney' by Hoefler & Co., 'Linotype Aroma' by Linotype, 'Quire Sans' by Monotype, 'Karmina Sans' by TypeTogether, and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, children's media, friendly, playful, casual, retro, approachability, display impact, added character, informality, rounded, soft, chunky, bouncy, informal.


Free for commercial use
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This typeface is a heavy, rounded sans with soft terminals and subtly irregular, hand-cut geometry. Curves are generous and slightly squared-off in places, giving bowls and counters a compact, sturdy feel. Strokes remain largely even, with a lively rhythm created by small asymmetries and mild wobble in diagonals and joins. The lowercase is simple and readable, with single-storey forms and compact apertures that keep word shapes dense and punchy, while the figures are robust and straightforward.

It works especially well for display typography where friendliness and immediacy are desired—posters, event graphics, packaging, and brand marks with a casual tone. It also suits children’s or family-oriented materials and short pull quotes where a bold, inviting voice is helpful.

The overall tone is warm and approachable, with a cheerful, slightly quirky energy. Its bouncy shapes and softened corners suggest an informal, handmade sensibility that feels nostalgic without becoming overtly decorative.

The design appears intended to deliver a confident sans voice with added warmth and character, using rounded, slightly irregular shapes to avoid a sterile or purely geometric feel. It prioritizes impact and approachability over strict precision, making it well suited to expressive display settings.

At larger sizes the subtle irregularities become part of the charm, adding personality and texture; at smaller sizes the tight apertures and heavy shapes may read best with comfortable spacing. The design maintains a consistent bluntness across straight and curved strokes, helping it stay cohesive in headlines and short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸