Sans Faceted Idgul 1 is a very light, narrow, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, titles, album art, futuristic, technical, enigmatic, minimalist, ritual, geometric styling, sci‑fi tone, stylized display, coded aesthetic, monoline, angular, geometric, faceted, wireframe.
A monoline, angular display sans built from straight segments and sharp joins, with faceted, polygonal construction standing in for curves. Strokes are consistently thin and even, producing an airy, wireframe look with abundant white space and a delicate baseline presence. Many forms lean on diamonds, wedges, and open contours (notably in round letters and numerals), creating a distinctive, chiseled rhythm; counters are often implied rather than fully enclosed, and terminals end cleanly without rounding. Uppercase and lowercase share a unified geometric logic, and the numerals echo the same planar, cut-gem vocabulary.
Best suited for short-form display settings such as headlines, posters, brand marks, and titling where its faceted geometry can be appreciated. It also fits sci‑fi or tech-themed interfaces, packaging accents, and album/film/game title treatments where an encoded, futuristic atmosphere is desired.
The overall tone feels futuristic and coded—like inscriptions, circuitry labeling, or a stylized rune system translated into Latin letters. Its thin, faceted skeleton reads as precise and deliberate, giving a cool, technical mood with a hint of mystery and game-like worldbuilding.
The design appears intended to reinterpret a sans structure through a faceted, planar lens—reducing letters to a thin geometric framework and replacing curves with crisp angles. The goal seems to be a distinctive, futuristic signature that stands out through sharp geometry and an intentionally schematic, constructed feel.
The sample text shows best results when letterspacing is slightly open, letting the angular joins and open counters remain distinguishable. Because many glyphs rely on straight facets and occasional open shapes, the design reads more as a distinctive voice than a neutral text workhorse, especially in smaller sizes.