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Free for Commercial Use

Serif Normal Libok 15 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Pujarelah' by Differentialtype, 'Ysobel' by Monotype, 'Orbi' by ParaType, 'Goldage' by RagamKata, and 'Thimble Village' by Shakira Studio (names referenced only for comparison).

Keywords: editorial, book text, headlines, magazines, branding, classic, formal, authoritative, bookish, readability, tradition, authority, editorial impact, bracketed serifs, ball terminals, oldstyle figures, rounded joins, robust.


Free for commercial use
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This serif shows sturdy, compact letterforms with pronounced thick–thin modulation and firmly bracketed serifs. Curves are generously rounded, with soft transitions into stems, and several glyphs feature ball terminals that add a slightly ornamental finish without becoming decorative. Counters are relatively open for the weight, and the overall color is dark and even, producing a strong typographic presence in both capitals and lowercase. The numerals read as oldstyle figures, mixing ascenders and descenders for a traditional text rhythm.

Well suited to editorial layouts, book typography, and magazine work where a strong serif voice is needed. It can anchor headlines and subheads effectively, and it also supports formal branding or packaging that benefits from a classic, authoritative tone.

The tone is traditional and editorial, with a confident, slightly stately voice. It feels grounded in book typography and institutional print, projecting seriousness and reliability while the rounded details keep it from feeling overly rigid.

The design appears intended as a conventional, print-oriented serif with a robust presence and a refined, classical finish. Its combination of strong contrast, bracketed serifs, and traditional figure style suggests an aim toward timeless readability with enough personality for prominent editorial use.

Capitals have a solid, monumental stance, while the lowercase maintains smooth pacing through rounded bowls and restrained apertures. The typeface’s dark mass and clear serif shaping make it especially impactful at larger sizes, where the modulation and terminals become more apparent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸