Sans Superellipse Umpu 13 is a bold, very wide, monoline, upright, tall x-height font visually similar to 'Hemicube' by Mans Greback and 'Kniga' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming, ui display, futuristic, techno, industrial, arcade, robotic, sci‑fi branding, display impact, modular clarity, tech styling, rounded corners, squared forms, closed apertures, compact counters, soft terminals.
A heavy, squared sans built from rounded-rectangle geometry, with consistently softened corners and largely uniform stroke weight. The letterforms favor boxy bowls and straight-sided curves, producing compact counters and mostly closed apertures. Uppercase shapes read wide and stable, while the lowercase maintains a tall x-height with simplified forms and minimal differentiation in bowls and stems. Numerals follow the same squarish, superelliptical logic, keeping widths generous and curves tightly controlled for a cohesive, modular texture.
Best suited for display settings such as headlines, posters, packaging, and logo wordmarks where its squared, futuristic construction can lead the visual identity. It also fits gaming and tech UI display treatments, including screens, panels, and labels, where a sturdy, modular rhythm helps maintain clarity at larger sizes.
The overall tone is futuristic and machine-made, with an arcade/tech interface flavor. Its blocky proportions and rounded corners balance toughness with friendliness, evoking sci‑fi branding, digital dashboards, and engineered product aesthetics.
The design appears intended to translate rounded-rectangle geometry into a bold, highly structured sans that feels engineered and contemporary. It prioritizes a consistent, modular silhouette over traditional humanist detail to deliver a distinctive, tech-forward voice.
The design leans on geometric repetition, so words form a strong, even rhythm with low contrast between round and straight components. Because apertures are often tight and counters are compact, the face reads best when given sufficient size and breathing room, especially in dense text.