Sans Superellipse Hanuf 6 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Univia Pro' by Mostardesign, 'Ambulatoria' by Pepper Type, 'Sans Beam' by Stawix, 'Celdum' by The Northern Block, 'Obvia Wide' by Typefolio, and 'Crepes' by cretype (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, signage, friendly, modern, techy, sturdy, clean, display impact, brand voice, geometric clarity, friendly modernity, rounded corners, soft terminals, square-leaning, geometric, compact counters.
A heavy, geometric sans with rounded-rectangle construction and generously softened corners. Strokes are uniform and solid, with minimal modulation and a broad, stable stance. Round letters (O, C, G, Q, o, e) read as superellipse-like shapes, while straight-sided forms (E, F, H, N) keep crisp orthogonal structure softened by rounding. Counters are relatively compact, apertures are moderately open, and spacing feels deliberate and even, producing a dense, high-impact texture in text. Numerals follow the same squared-round logic, with a notably rounded 0 and robust, blocky silhouettes across the set.
Well-suited for branding systems, display headlines, posters, packaging, and signage where a bold, contemporary voice is needed. It can also work for UI titles and hero text, especially in product or tech contexts where rounded geometry complements modern layouts.
The overall tone is contemporary and approachable—confident without feeling aggressive—thanks to the combination of weight and softened geometry. It suggests modern product design and interfaces, balancing a technical, engineered feel with friendly rounded terminals.
Likely designed to deliver a strong, highly legible display presence built from rounded-rectangle geometry, creating a distinctive signature that stays clean and systematic across a full alphanumeric set.
The design language is consistently “rounded-square” across capitals, lowercase, and figures, giving mixed-case text a cohesive, branded look. The heavy color and compact interior spaces make it most effective at larger sizes, where the rounded details and superelliptical curves are clearly perceived.