Sans Superellipse Hagas 3 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'ITC Handel Gothic' and 'ITC Handel Gothic Arabic' by ITC, 'Glint' by Pesic, 'Obvia Expanded' by Typefolio, and 'Crepes' by cretype (names referenced only for comparison).
Keywords: headlines, branding, ui, signage, posters, techy, confident, clean, friendly, modern, impact, clarity, modernity, approachability, systematic, rounded, squared, compact, geometric, sturdy.
A heavy, geometric sans with superellipse construction: rounded-rectangle bowls, softly squared curves, and consistently blunt terminals. Strokes are uniform and dense, with generous interior rounding that keeps counters open despite the weight. Proportions feel slightly extended horizontally, and the overall rhythm is steady and block-like, with minimal modulation and crisp joins. Lowercase forms lean toward single-storey construction (notably the a and g), and numerals echo the same rounded-rect geometry for a cohesive texture.
Best suited for headlines, logos, and brand systems that need a strong, modern voice, as well as UI labels and navigation where sturdy forms and open counters help quick recognition. It should also work well for wayfinding and signage thanks to its simplified shapes and consistent geometry.
The tone is modern and utilitarian with a friendly edge—solid and authoritative, but softened by rounded corners and smooth curvature. It reads as contemporary and tech-adjacent, suited to interfaces and product branding that want clarity without sharpness.
The design appears intended to deliver a robust, contemporary sans built from rounded-rect primitives—balancing high-impact weight with softened corners for approachability. It prioritizes clarity and uniformity, aiming for a cohesive, system-like texture across letters and numerals.
Distinctive squared rounding shows up across key shapes: the O/0 are more rounded-rectangle than pure circle, the C/G have broad apertures, and the Q uses a clear, angular tail that stays within the overall geometric language. The spacing and heavy color create a strong presence, favoring impact and legibility at medium-to-large sizes.