Sans Superellipse Ipzi 2 is a very bold, wide, medium contrast, italic, tall x-height font visually similar to 'Churchward 69' by BluHead Studio, 'Blak' by Extratype, '1312 Sugoi' by Ezequiel Filoni, 'Blunt' by Miller Type Foundry, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, sports branding, esports, logos, sporty, aggressive, dynamic, techy, impactful, impact, motion, performance, modernity, branding, slanted, blocky, rounded corners, compact counters, angular cuts.
A heavy, right-slanted sans with broad, block-like letterforms built from rounded-rectangle curves and crisp, angled cut-ins. Strokes stay largely uniform, with small, tightly controlled counters and frequent wedge-shaped notches that create a fast, mechanical rhythm. Curves are flattened and squared-off rather than circular, and terminals often finish with sharp diagonals, giving the shapes a streamlined, engineered feel. The overall texture is dense and punchy, with strong horizontal presence and sturdy silhouettes.
Best suited to large-scale display typography such as posters, sports and esports identities, event graphics, product branding, and bold packaging. It can also work for short UI labels or promotional callouts where a strong, dynamic voice is needed, especially when set with slightly increased letterspacing for clarity.
The font projects speed and force, combining racing-style urgency with a modern, industrial toughness. Its compressed interior spaces and sharp cut details add a sense of aggression and precision, while the softened corners keep it contemporary rather than purely brutal. The tone feels competitive and high-energy, suited to attention-grabbing statements.
The design appears intended to deliver maximum impact with a streamlined, speed-forward aesthetic: thick superellipse-based forms, a consistent slant, and angular incisions that suggest motion and engineered performance. The goal seems to be highly recognizable display lettering that feels modern, competitive, and built for branding.
Spacing and letterfit appear tuned for tight, headline-style setting, producing a solid, almost “plated” band of black in text. The distinctive cut-ins and angled joins create recognizable word shapes quickly, but the compact counters suggest it will read best at larger sizes or with generous tracking when used in longer lines.