Sans Contrasted Fyzi 7 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'Maximum' by Device, '1312 Sugoi' by Ezequiel Filoni, 'Muscle' by Positype, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: sports branding, team graphics, racing themes, posters, headlines, sporty, dynamic, aggressive, futuristic, high-impact, impact, speed, modern edge, brand punch, display emphasis, slanted, compressed counters, rounded corners, chiseled, angular.
A heavy, forward-slanted sans with broad proportions and tight internal counters. The letterforms are built from chunky, slightly rounded rectangles that are cut with sharp, diagonal terminals, giving many strokes a “shaved” edge. Curves (C, O, S) are squared-off and compact, while straights (E, F, T) show blunt, wedge-like ends; overall geometry feels engineered rather than calligraphic. Stroke thickness varies subtly across joins and diagonals, creating a crisp, machined rhythm without delicate details.
Best used where bold, kinetic typography is needed: sports identities, team marks, motorsport/racing visuals, event posters, and punchy headline systems. It will also work for short UI labels or packaging callouts when legibility at small sizes is not the primary goal.
The overall tone is fast and forceful, with a strong sense of motion from the consistent slant and angled cuts. It reads as assertive and competitive—suited to performance, speed, and impact—while the squared curves and tight counters add a slightly techy, futuristic edge.
The design appears intended to deliver maximum visual impact with a streamlined, speed-inspired silhouette. Its angled terminals and squared curves suggest a deliberately aggressive, modern display voice aimed at branding and promotional typography rather than long-form reading.
The numerals match the same blocky, slanted construction and look optimized for display, with small apertures and compact bowls that prioritize silhouette over interior space. The uppercase set feels especially rigid and poster-like, while the lowercase retains the same industrial shaping, keeping the texture dense in paragraphs or headlines.