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Free for Commercial Use

Sans Normal Admuk 8 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Helvetica Now' by Monotype, and 'Neue Rational Standard' and 'Rational' by René Bieder (names referenced only for comparison).

Keywords: ui text, product branding, editorial, signage, presentations, clean, modern, dynamic, technical, efficient, readable italic, modern utility, speed cue, neutral voice, brand clarity, oblique, rounded, streamlined, open, crisp.


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A slanted sans with a smooth, rounded construction and consistent, low-contrast strokes. The letterforms lean forward with a steady rhythm, using open apertures and generous counters that keep shapes clear at text sizes. Curves are clean and elliptical (notably in C, O, S, and the lowercase rounds), while diagonals in A, V, W, X, and Y are sharp and direct, giving the design a brisk, contemporary silhouette. Numerals are clear and simple, with the 0 reading as an oval and the 1 formed with a subtle base, maintaining the same oblique logic as the letters.

Well-suited to interfaces and product communication where a modern, forward-leaning sans is needed for emphasis or a sense of speed. It should also work for headings and short-to-medium editorial passages that benefit from a clean italic voice, as well as directional or informational signage and presentation typography where clarity and consistency matter.

The overall tone feels modern and purposeful, combining a friendly softness from the rounded geometry with a forward-leaning, energetic stance. It reads as efficient and contemporary rather than decorative, suggesting motion and productivity without becoming aggressive.

The design appears intended as a practical italic companion or standalone oblique sans, prioritizing clarity, consistent rhythm, and contemporary geometry. Its rounded forms and open counters suggest an aim for approachable readability while the steady slant adds motion and emphasis.

Uppercase proportions are relatively broad, and spacing appears even, producing a stable texture in running text. The italic angle is uniform across capitals, lowercase, and figures, helping mixed-case settings feel cohesive. Strokes terminate cleanly without overt calligraphic flair, keeping the design visually neutral and systematic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸