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Sans Contrasted Ilba 7 is a bold, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, magazine titles, art deco, editorial, dramatic, graphic, stylized, display impact, retro modernism, stylized geometry, editorial voice, geometric, monolinear counters, sharp terminals, vertical stress, high waistlines.


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A stylized sans with pronounced thick–thin modulation, mixing weighty verticals and bowls with hairline horizontals and joins. The construction leans geometric, with round forms that read as near-circular and tight apertures in letters like C, G, and S, while diagonals in A, K, V, W, X, and Y come to crisp, pointed terminals. Several characters show a distinctive “cut-in” or wedge-like transition where thin strokes meet heavy masses, creating a chiseled, poster-like rhythm. Proportions are slightly condensed in places with tall capitals, a modest x-height, and compact counters that keep the texture dense at text sizes.

This font performs best in short, prominent lines such as headlines, posters, magazine titles, and brand marks where its contrast and angular detailing can be appreciated. It can also work for packaging or event graphics that benefit from a vintage-modern, high-impact display tone. For longer passages, it is more effective in larger sizes where the thin strokes and tight counters stay clear.

The overall tone is theatrical and glamorous, with a strong early-modernist/Art Deco flavor. The sharp contrasts and sculpted joins give it a confident, attention-grabbing voice that feels suited to display settings rather than neutral reading. It communicates sophistication with a hint of vintage signage and nightlife energy.

The design intention appears to be a decorative display sans that fuses geometric construction with dramatic stroke modulation to evoke a refined, retro-modern aesthetic. Its sculpted joins and pointed terminals prioritize personality and visual punch over neutrality, aiming to stand out in editorial and branding contexts.

Lowercase forms keep a simplified, single-storey approach (notably a and g), reinforcing the geometric display character. Numerals and punctuation echo the same sculpted contrast, with several figures showing dramatic stroke tapering and angular joins that enhance the decorative feel. Spacing in the samples reads intentionally tight and compact, contributing to a dark, high-impact color on the page.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸