Sans Superellipse Genov 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Akzidenz-Grotesk Next' by Berthold, 'European Sans Pro' by Bülent Yüksel, 'Mollen' by Eko Bimantara, 'EquipCondensed' by Hoftype, and 'Nusara' by Locomotype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app headers, sporty, energetic, assertive, modern, dynamic, impact, momentum, modern branding, display strength, athletic tone, oblique, rounded, compact, blocky, square-rounded.
This typeface is a heavy, right-leaning sans with rounded-rectangle construction and smooth, continuous curves. Strokes are uniformly thick with minimal modulation, producing dense, compact counters and a strong, graphic silhouette. Terminals are generally blunt with softened corners, and curved letters (like C, O, S) read as squarish ovals rather than perfect circles. Proportions feel slightly condensed in effect due to the weight and tight internal space, while the overall rhythm remains clean and consistent across caps, lowercase, and numerals.
Best suited to short-form display settings where impact matters: headlines, posters, athletic identity systems, bold packaging, and punchy UI headers. It can also work for attention-grabbing pull quotes or titles, especially when a sense of speed and modernity is desired.
The overall tone is fast, punchy, and performance-oriented, with an athletic slant that suggests motion and urgency. Its chunky, rounded geometry keeps it friendly enough for contemporary branding while staying bold and commanding.
The design appears intended to deliver maximum visual impact with a streamlined, rounded-rectangular sans structure and a strong forward slant. It prioritizes bold presence and dynamic momentum over delicate detail, aiming for clear, confident communication in display contexts.
The sample text shows strong word-shape clarity at large sizes, with distinctive, angular joins on letters like K, V, W, and X and a robust, utilitarian presence in numerals. The oblique angle is pronounced, so the texture becomes more emphatic and directional in longer lines of text.