Sans Superellipse Genop 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Compasse' by Dharma Type, 'Neusa Neu' by Inhouse Type, 'Celluloid JNL' by Jeff Levine, 'Argot' by K-Type, 'Navine' by OneSevenPointFive, 'Hype vol 2' by Positype, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel, packaging, sporty, assertive, modern, dynamic, industrial, impact, momentum, modernization, signage, oblique, rounded, squared, chunky, compact.
A heavy, oblique sans with rounded-rectangle construction and broadly squared curves. Strokes are thick and even, with softened corners and tight internal counters that create a compact, punchy silhouette. The italic slant is consistent across caps, lowercase, and figures, and the overall rhythm is sturdy rather than airy, with minimal stroke modulation and strong, simplified joins.
Best used for headlines, posters, and branding where strong presence and quick readability matter. It fits sports and athletic identities, product packaging, and apparel graphics, and can also work for UI labels or short calls-to-action when a bold, forward-leaning voice is desired.
The tone is energetic and forceful, with a fast, forward-leaning feel suited to impact messaging. Its rounded-square geometry reads contemporary and functional, balancing toughness with friendliness through softened corners.
Designed to deliver high-impact, contemporary typography with a streamlined, geometric feel. The rounded-square forms and uniform weight suggest an intention to stay legible at large sizes while projecting speed and solidity through a consistent oblique stance.
Round letters like O/0 and bowls in b/p/q stay squarish and tightly enclosed, while diagonals (A, K, V, W, X) are broad and stable, reinforcing a blocky, engineered texture. Numerals are similarly robust and compact, maintaining the same rounded-rect logic for strong consistency in headings and large-scale use.