Sans Superellipse Omrop 3 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'Laqonic 4F' by 4th february, 'FF DIN Paneuropean' by FontFont, 'Hardley Brush' by Negara Studio, and 'Amsi Grotesk' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, labels, industrial, utilitarian, compressed, sturdy, retro, space-saving, high impact, geometric clarity, signage utility, squared-round, blocky, compact, dense, uniform.
A compact sans with a squared-round (superelliptical) construction: bowls and counters read like rounded rectangles, and corners are consistently softened rather than fully circular. Strokes are heavy and even, with minimal modulation, and the overall texture is dense due to the condensed proportions and tight internal spaces. Curves transition quickly into straight segments, giving letters a slightly boxy rhythm. Terminals are plain and blunt, and the numeral and lowercase designs follow the same geometric, rounded-rectangle logic for a cohesive set.
Best suited to headlines, posters, and short statements where a dense, high-impact texture is desirable. It also fits signage, packaging, and label systems that benefit from compact width and sturdy letterforms. For longer text, it will typically perform better at larger sizes with added tracking to keep counters from closing up.
The tone is practical and assertive, combining an industrial sturdiness with a slightly retro, sign-like character. Its compact, blocky shapes feel efficient and no-nonsense, creating a strong visual imprint without decorative flourish.
The design appears intended to deliver maximum presence in limited horizontal space, using rounded-rectangle geometry to stay friendly while remaining rigid and industrial. Its consistent, low-modulation strokes and compact proportions suggest an emphasis on clarity, uniformity, and display-driven impact.
The family’s identity is driven by consistent superellipse geometry across rounds (C, O, G, e, o, 0) and by narrow apertures and counters that emphasize a solid silhouette. The condensed width and heavy weight make spacing and word shapes feel tightly packed, which can increase impact but may require more generous tracking in longer settings.