Sans Other Ibga 13 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Aguda' and 'Aguda Stencil' by Graviton and 'Lustra Text' by Grype (names referenced only for comparison).
Keywords: headlines, posters, branding, ui labels, packaging, futuristic, techno, industrial, modular, sci‑fi, tech styling, stencil effect, display impact, systemic geometry, squared, rounded, stencil cuts, inline breaks, geometric.
A squared, geometric sans with rounded outer corners and prominent internal breaks that read like stencil cuts or segmented joins. Strokes are heavy and mostly uniform, with open apertures and boxy counters (notably in C, G, O, Q, and numerals) that emphasize a modular construction. Diagonals are clean and sharply terminated, while many verticals and horizontals feature deliberate gaps that create a distinctive rhythm and a slightly “assembled” look. Lowercase forms are compact with a high x-height feel, and the overall spacing and proportions favor a solid, blocklike silhouette.
Best suited to display applications such as headlines, posters, logos, and branding where the segmented construction can be a feature. It also works well for short UI labels, product markings, and tech-leaning packaging where clarity and a mechanical tone are desired. For extended body text, the repeated breaks may reduce smooth readability, so larger sizes and generous spacing help.
The segmented detailing and squared curves give the face a futuristic, machine-made tone—evoking interfaces, hardware labeling, and sci‑fi titling. Its visual language feels technical and industrial rather than neutral, with an assertive presence that signals modernity and engineered precision.
The design appears intended to deliver a contemporary, techno-stencil aesthetic by combining a geometric sans skeleton with consistent internal cutouts. It prioritizes a distinctive, systemized look and strong silhouette over typographic neutrality, aiming to feel engineered, modular, and modern.
Distinctive stencil-like interruptions appear consistently across the set, adding texture at display sizes but increasing visual noise in long passages. The numerals share the same squared, cut-in construction, supporting cohesive use in technical contexts. Round letters are rendered as rounded rectangles, keeping the design firmly in a rectilinear system.