Sans Superellipse Uklas 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Qonora' by Charles Casimiro Design, 'Altone' by Eko Bimantara, 'Object' by Fontador, 'Muller Next' by Fontfabric, 'Mercurial' by Grype, 'Sans Beam' by Stawix, 'Halcom' by The Northern Block, and 'Nuno' by Type.p (names referenced only for comparison).
Keywords: branding, headlines, logos, packaging, posters, techy, friendly, modern, retro-futurist, confident, geometric branding, ui-forward display, friendly tech, high impact, rounded, squareish, compact, geometric, sturdy.
A chunky geometric sans built from rounded-rectangle and superellipse forms. Strokes are heavy and even, with softened corners throughout and broadly squared counters that keep shapes open at display sizes. Terminals are clean and blunt, curves transition smoothly into straights, and the overall rhythm is compact with wide, stable bowls and minimal modulation. Numerals and punctuation follow the same softened-square logic, giving the set a cohesive, engineered feel.
Best suited to branding, logos, short headlines, packaging, and poster work where its rounded-square geometry can define a distinctive voice. It can also work for UI labels and product surfaces when used at larger sizes with generous spacing to preserve clarity.
The tone is modern and tech-forward while staying approachable due to the rounded corners and inflated forms. It suggests contemporary UI and product design, with a subtle retro digital flavor that reads as confident and playful rather than austere.
The design appears intended to translate superelliptical, rounded-rectangle geometry into a robust sans for high-impact display use. It prioritizes a unified shape system and a smooth, manufactured finish that feels contemporary and digital-native.
The uppercase shows strong geometric construction with rounded shoulders and squared apertures, and the lowercase maintains clarity with simple, single-story forms where expected (notably a and g). The heavy weight and compact shapes create strong word silhouettes, making it most comfortable in larger sizes where counters and joins have room to breathe.