Sans Other Ifja 4 is a regular weight, very wide, monoline, upright, tall x-height font.
Keywords: headlines, posters, branding, packaging, signage, futuristic, techno, industrial, modular, retro, interface feel, sci-fi tone, geometric system, logo impact, display clarity, geometric, rounded corners, square curves, stencil-like, extended.
A geometric, monoline sans built from squared curves and rounded-corner rectangles, with broad proportions and generous internal apertures. Strokes stay even throughout, while terminals are predominantly blunt and flat, giving the forms a machined, modular feel. Bowls and curves are often “squarish” rather than circular, and several letters use open joins and cut-in notches that create a subtle stencil-like construction. Lowercase forms are compact and highly simplified, with a tall x-height and minimal contrast between curved and straight elements, producing a steady, grid-friendly rhythm in text.
Best suited to large sizes where the squared curves, notches, and open joins can read clearly—such as headlines, posters, logos/wordmarks, packaging, and short UI or signage labels with a sci‑fi or industrial theme. In longer text, it works most effectively for brief blocks where texture and tone matter more than traditional reading comfort.
The overall tone is futuristic and utilitarian, evoking sci‑fi interfaces, arcade-era graphics, and industrial labeling. Its squared geometry and deliberate gaps read as technical and engineered rather than friendly or calligraphic, giving it a confident, synthetic voice.
The letterforms appear designed to translate a strict geometric system into a distinctive, tech-forward voice, prioritizing modular construction and a strong silhouette. The repeated use of squared bowls, blunt terminals, and purposeful cut-ins suggests an intention to feel engineered and contemporary while nodding to retro-futuristic display typography.
The design leans heavily on rectilinear geometry: counters tend toward rounded rectangles, and diagonals are crisp and angular, especially in forms like W and X. The numeral set matches the same squared-curve logic, keeping the palette consistent and display-oriented.