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Sans Faceted Tyku 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'FX Gerundal' by Differentialtype, 'Ft Thyson' by Fateh.Lab, 'Leftfield' by Fenotype, 'Brave Brigade' by Invasi Studio, 'Hurdle' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, gaming ui, signage, industrial, athletic, techno, utilitarian, retro, impact, ruggedness, mechanical feel, display clarity, geometric unity, octagonal, chamfered, stencil-like, geometric, blocky.


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A compact, heavy sans with hard, faceted geometry that replaces curves with angled chamfers and clipped corners. Strokes are consistently thick and largely monolinear, producing a firm, mechanical rhythm with tight internal counters and squared-off terminals. Round letters (O, C, G, Q, S) read as octagonal forms, while diagonals are simplified and planar, giving the whole set a crisp, cut-from-metal feel. The lowercase echoes the same construction with sturdy stems and small, angular bowls, maintaining a cohesive texture in text.

Best suited to display roles where its angular construction can read clearly and contribute character—team marks, event posters, packaging callouts, titles, and interface labels. It can work for short to medium text in high-contrast settings, especially where a rugged, technical voice is desired.

The overall tone feels tough, engineered, and sport-forward—more about impact and utility than warmth. Its faceted shaping suggests machined parts, varsity numbering, and arcade or sci‑fi interfaces, projecting confidence and a slightly retro-futuristic edge.

The design appears intended to deliver a high-impact sans that stays geometric and consistent while adding personality through systematic chamfering. By turning curves into facets, it aims for a modern-industrial aesthetic that remains legible and bold in branding and display typography.

The numerals and caps have a strong signage presence, with distinctive octagonal 0/8/9 forms and consistent corner treatments across the set. Dense counters and short apertures increase punch at display sizes, while the repeated chamfers create a recognizable pattern in headlines and short lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸