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Free for Commercial Use

Sans Superellipse Gudej 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Evanston Tavern' by Kimmy Design, 'Camore' by Maulana Creative, 'Navine' by OneSevenPointFive, and 'Augmento' by R9 Type+Design (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, industrial, friendly, techy, assertive, playful, impact, modernity, geometric identity, approachability, rounded corners, soft square, compact, sturdy, high impact.


Free for commercial use
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This typeface is a heavy, compact sans with a soft-square (superellipse) construction: curves resolve into rounded-rectangle bowls and counters, and corners are consistently radiused rather than sharp. Strokes are uniform and blocky, with short terminals and minimal modulation, creating dense, even color in text. Uppercase forms are broad and stable, with squared-off curves in letters like C, G, O, and S, while the lowercase keeps similarly stout proportions and simplified joins. Numerals follow the same rounded-rect geometry, with enclosed shapes that read like softened boxes rather than circles.

Best suited for headlines, logos, packaging, and signage where a strong, unified silhouette is desirable. It can also work for short UI labels or badges when sizes are generous, but extended small text may feel dense due to the compact counters.

The overall tone is bold and contemporary, balancing a utilitarian, industrial presence with approachable rounded corners. It feels modern and slightly tech-oriented, projecting confidence and clarity without becoming rigid or cold.

The likely intent is a high-impact geometric sans that swaps purely circular construction for softened square forms, producing a distinctive, modern voice. It aims to be memorable and sturdy, with consistent rounding that keeps the weight feeling friendly rather than aggressive.

The design’s rhythm is driven by repeated rounded-rectangle motifs, which makes headings look cohesive and logo-like. Tight interior spaces and thick stroke weight suggest better performance at larger sizes where counters can breathe and the geometric quirks remain crisp.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸