Sans Superellipse Abmur 13 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'BF Konkret Grotesk Pro' by BrassFonts, 'Azbuka' by Monotype, and 'PT Filter' by Paavola Type Studio (names referenced only for comparison).
Keywords: ui, wayfinding, branding, editorial, data display, modern, neutral, technical, clean, approachable, clarity, versatility, system design, contemporary branding, interface legibility, geometric, rounded, crisp, even, plainspoken.
A clean geometric sans with rounded-rectangle (superellipse) construction in many bowls and counters, giving curves a softly squared feel rather than purely circular forms. Strokes are monolinear with minimal modulation, and terminals are mostly straight-cut with consistent, tidy joins. Proportions are balanced and workmanlike, with open apertures and generous interior counters; the overall rhythm is steady and highly uniform across capitals, lowercase, and figures. Lowercase forms lean toward simplified, contemporary shapes (single-storey a and g), while capitals remain broad and stable with smooth, controlled curves in C/G/O/Q.
This font suits user interfaces, product design, and signage where clarity and a stable rhythm matter. It also works well for contemporary branding systems and editorial layouts that want a neutral, modern sans with a subtly distinctive geometric signature, and it remains legible for numeric content such as dashboards and informational graphics.
The tone is contemporary and matter-of-fact, reading as calm, efficient, and slightly technical. The subtly squared rounding adds a friendly softness without becoming playful, keeping the voice neutral and dependable for everyday interface and brand use.
The design appears intended to deliver a versatile, modern sans optimized for clarity and consistency, while using superelliptical curves to add a recognizable, softened geometry. It aims for broad usability—headings and text—without decorative excess, prioritizing even color, clear counters, and predictable proportions.
Figures are clear and utilitarian with consistent stroke weight and straightforward silhouettes suited to repeated use in data-heavy contexts. The design’s rounded-square geometry is especially noticeable in bowls and in the way curves transition into straighter segments, producing a distinctive but restrained texture in paragraphs.