Sans Superellipse Aggaw 2 is a regular weight, very narrow, medium contrast, upright, very short x-height font.
Keywords: headlines, posters, branding, logotypes, packaging, art deco, minimalist, elegant, whimsical, retro, space-saving, retro-modern, display impact, geometric clarity, condensed, monolinear, geometric, rounded, tall.
A tall, tightly set sans with condensed proportions and a clean, mostly monoline construction. Curves are built from rounded-rectangle/superellipse-like shapes, giving O/C/G/Q and numerals a soft, rectilinear smoothness rather than a purely circular feel. Uppercase forms are narrow and vertical, with restrained joins and simple terminals; diagonals (A, V, W, X, Y) are sharp and high-contrast in silhouette despite consistent stroke thickness. Lowercase is compact with notably small bowls and a short x-height, producing strong vertical rhythm; counters stay open but economical, and the overall spacing reads even and controlled.
Best suited to display settings where its condensed stance and geometric rounding can read as intentional style—headlines, poster typography, editorial titles, packaging, and brand marks. It also works well for short UI labels or signage when space is limited, especially at medium-to-large sizes where the narrow proportions and distinctive curves stay crisp.
The font conveys a refined, vintage-leaning tone with a hint of playful eccentricity. Its tall narrow letters and softly squared curves evoke early modernist and Art Deco poster lettering, while the simplified details keep it feeling contemporary and minimal. The overall impression is stylish and slightly quirky rather than strictly utilitarian.
The design appears intended as a space-saving display sans that blends geometric construction with softened, superellipse-like curves for a retro-modern character. It prioritizes vertical elegance and graphic impact over text-family neutrality, aiming to deliver a recognizable voice in titles and branding.
Distinctive superellipse rounding is most evident in the rounded characters and figures, where corners feel softly squared instead of perfectly circular. The sample text shows strong headline presence at larger sizes, with the tight proportions creating a striking vertical cadence and clear word shapes when given generous tracking and leading.