Sans Normal Abgeh 19 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'BR Nebula' by Brink, 'Hando' by Eko Bimantara, 'Creata' by Ivan Petrov, 'Giga Sans' by Locomotype, 'Tenorite' by Microsoft Corporation, and 'Akwe Pro' by ROHH (names referenced only for comparison).
Keywords: ui text, mobile apps, dashboards, captions, editorial accent, clean, modern, technical, efficient, friendly, emphasis, clarity, modern utility, interface readiness, readability, oblique, rounded, open apertures, humanist, crisp.
This typeface is an oblique sans with smooth, rounded curves and largely monolinear strokes. Letterforms are built from clear geometric arcs but keep a slightly humanist rhythm through open apertures and gently tapered joins. Counters are generous and shapes like C, G, O, and e read very cleanly, while diagonals (V, W, X, y) keep a crisp, forward-leaning energy. The overall spacing feels even and practical, supporting steady text flow without looking rigid.
It suits UI and product typography where an oblique style is needed for emphasis while preserving clarity, such as navigation, labels, and data-driven screens. It also works well for captions, subheads, and short editorial callouts where a modern italic sans can add pace without sacrificing legibility.
The forward slant and clean construction give it a contemporary, efficient tone that feels active rather than formal. Rounded details keep it approachable, balancing a utilitarian voice with a mild friendliness suitable for everyday interfaces and brand systems.
The design appears intended as a versatile, modern oblique sans for clear communication, offering a streamlined look that remains readable across mixed-case text and numerals. Its rounded geometry and open forms suggest a focus on usability and a contemporary, system-friendly aesthetic.
Figures are simple and highly legible, with round forms for 0, 6, 8, and 9 and straightforward, easily distinguishable 1–7 shapes. Uppercase forms are clean and uncluttered, and lowercase maintains clear differentiation between similar silhouettes (such as a, c, e, o). The italic angle is consistent across the alphabet and helps emphasize motion and direction in longer lines.