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Free for Commercial Use

Inline Irba 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Folio EF' by Elsner+Flake, 'MARLIN' by Komet & Flicker, 'Folio' by Linotype, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Smart Sans' by Monotype, and 'Manual' by TypeUnion (names referenced only for comparison).

Keywords: posters, headlines, sports branding, signage, packaging, industrial, sporty, retro, authoritative, punchy, space saving, high impact, branding, decorative detail, headline use, condensed, blocky, slab-like, rounded corners, outlined.


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A condensed, heavy display face built from broad, blocky strokes with squared structures and subtly rounded outer corners. The letterforms are largely monolinear in feel, with compact apertures and firm, vertical rhythm. A consistent inline cut runs through the strokes, creating a carved, two-tone effect that reads like a stripe within a solid silhouette; this detail is especially apparent in the straights and bowls. Uppercase is tall and commanding, while the lowercase follows the same compact, engineered construction, producing dense word shapes. Numerals are similarly sturdy and uniform, emphasizing a poster-ready, high-impact texture.

Best used for headlines, posters, and large-format typography where the inline carving can be appreciated. It also suits sports branding, event graphics, signage, and packaging that benefit from a compact, high-impact condensed voice. In longer text blocks it will feel dense and forceful, so it performs most naturally as a display accent rather than body copy.

The overall tone is bold and utilitarian, with a retro athletic and industrial flavor. The inline detail adds a confident, badge-like finish that can feel both vintage and contemporary depending on color and layout. Its condensed stance and emphatic weight communicate urgency and strength, making it well-suited to loud, attention-grabbing messaging.

The design appears intended to deliver maximum impact in minimal horizontal space while adding distinctive character through a consistent inline cut. Its sturdy, engineered shapes suggest a focus on bold branding and display environments where clarity and punch outweigh delicate detail. The result is a strong, graphic workhorse for titles and marks that need to read quickly and feel assertive.

Spacing appears tuned for display, with tight internal counters and a strong vertical emphasis that keeps lines visually compact. The inline channel stays consistent across glyphs, reinforcing a cohesive, stamped or sign-painted impression. At smaller sizes the interior cut may soften, so it visually favors larger settings where the stripe can stay crisp.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸