Font Hero

Free for Commercial Use

Sans Normal Lirag 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Siro' by Dharma Type, 'Arpona Sans' by Floodfonts, 'Famiar' by Mans Greback, and 'Core Sans N SC' and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, advertising, sporty, confident, energetic, modern, loud, impact, motion, emphasis, bold branding, display clarity, oblique, soft corners, large counters, rounded forms, heavy terminals.


Free for commercial use
Customize the font name

This typeface is a heavy, oblique sans with broad proportions and rounded, compact forms. Strokes are monolinear with blunt, softened terminals and generous counters, giving letters a solid, high-impact silhouette without looking overly rigid. Curves are smooth and slightly squared off in places, while diagonals (as in A, K, V, W, X) are sturdy and widely set, reinforcing the wide stance. The lowercase shows single-storey a and g with simple, closed bowls and a straightforward, utilitarian construction; numerals are similarly robust and open, designed to read clearly at display sizes.

It performs best in display contexts such as headlines, posters, and bold brand statements where the wide, slanted forms can create momentum and visual impact. It is also well-suited to sports and promotional graphics, packaging callouts, and short UI or signage labels that need strong emphasis at larger sizes.

The overall tone is assertive and energetic, with a contemporary, sporty feel. Its oblique slant and bold massing suggest motion and emphasis, making it feel promotional and attention-grabbing rather than quiet or editorial.

The design appears intended to deliver maximum impact with a fast, forward-leaning voice, combining heavy weight with rounded geometry for approachability. Its consistent stroke behavior and simplified lowercase forms point to a focus on clear, scalable display typography rather than delicate text setting.

Spacing appears relatively open for such a heavy style, helping internal shapes stay readable in the sample text. The design favors smooth geometry and consistency over sharp detailing, which keeps the texture even across long lines while still delivering strong headline punch.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸