Sans Superellipse Fomog 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Transcript' by Colophon Foundry, 'Genesee JNL' by Jeff Levine, 'Enamela' by K-Type, and 'Helvetica Now' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, urgent, punchy, modern, tactical, impact, speed, modernity, clarity, slanted, compressed caps, rounded corners, closed apertures, ink-trap hints.
A heavy, forward-slanted sans with rounded-rectangle construction and tightly controlled curves. Strokes are thick and even, with compact counters and mostly closed apertures that keep the silhouettes dense at display sizes. Terminals tend to be sheared or subtly rounded, and many joins show small notches that read like functional cut-ins, adding crispness to the otherwise soft superelliptical shapes. Uppercase forms are broad and sturdy with a slightly condensed, racing rhythm, while lowercase is compact and utilitarian with simple, single-storey constructions where applicable.
Best suited for headlines, posters, and branding where a compact, high-energy voice is needed. It works well for sports identity systems, event graphics, gaming or esports visuals, and bold packaging statements, especially when set large with tight, controlled spacing.
The overall tone is fast and assertive, leaning into a competitive, performance-driven feel. Its slant and dense blackness create a sense of motion and urgency, while the rounded geometry keeps it contemporary rather than aggressive or gothic. The result feels at home in sporty, tactical, or tech-forward branding where impact matters.
This design appears intended to deliver maximum impact with a streamlined, motion-oriented stance. The rounded-rectangle construction and subtle cut-ins suggest a goal of maintaining clarity in very heavy letterforms while projecting speed and modernity for display-driven typography.
The figures are chunky and high-impact, with squarish bowls and generous weight that favors short text over long reading. The oblique angle is consistent and gives headlines a continuous forward sweep, and the cut-in details help preserve character separation in dense letterforms.