Sans Normal Olkim 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Corsica' by AVP, 'Gerbera' by Brownfox, 'Noah' by Fontfabric, 'Possible' by K-Type, 'MC Qiluant' by Maulana Creative, 'Almarose' by S&C Type, 'TT Norms Pro' by TypeType, and 'Oslo' by Wilton Foundry (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, confident, modern, approachable, clean, approachability, high impact, modern branding, clarity, rounded, geometric, compact, even, sturdy.
A heavy, rounded sans with geometric construction and smooth, continuous curves. Stroke endings are clean and mostly square-cut, with minimal modulation and a steady rhythm across curves and straights. Counters are open and generously sized for the weight, while joins and shoulders stay broad and stable, producing a compact, sturdy texture in words. Proportions lean slightly wide and circular in letters like O/C/G, and the overall spacing reads even and controlled at display sizes.
This font performs well in headlines, brand marks, packaging, and signage where a strong, friendly presence is needed. Its rounded geometry and consistent weight make it effective for short to medium-length display copy, especially in high-contrast layouts and bold typographic compositions.
The tone is modern and friendly, pairing a soft, rounded skeleton with a firm, assertive weight. It feels approachable and upbeat rather than technical, making it well suited to brands that want clarity with warmth. The overall impression is confident and straightforward, with an uncomplicated, contemporary voice.
The design appears intended as a contemporary rounded grotesque that prioritizes impact and approachability. By combining geometric roundness with sturdy, compact shaping, it aims to deliver clear, confident display typography that feels welcoming rather than severe.
The forms emphasize circular geometry and consistent stroke strength, which helps maintain uniform color across lines of text. Numerals appear similarly robust and rounded, matching the letterforms in density and presence. The design reads strongest at headline and poster sizes, where its smooth curves and large counters can fully register.