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Sans Superellipse Pemid 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Explorer' by Fenotype, 'CF Blast Gothic' by Fonts.GR, 'Champion Gothic' by Hoefler & Co., 'Neue Helvetica' by Linotype, and 'Duotone' by Match & Kerosene (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, stickers, playful, retro, punchy, friendly, poster-like, display impact, compactness, approachability, retro flavor, rounded, compressed, blocky, soft corners, compact.


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This is a heavy, condensed sans with softly rounded corners and an overall rounded-rectangle construction. Strokes are thick and largely uniform, with minimal modulation and tight internal counters that stay open through simple, clean shapes. Curves tend toward superelliptical bowls (notably in O/C/G and numerals), while terminals are blunt and cushioned rather than sharply cut. Proportions favor tall lowercase with short ascenders and a compact, stacked rhythm, giving words a dense, vertical texture that reads as solid blocks in text.

It performs best in short, high-impact settings such as posters, headlines, logotypes, packaging, and playful brand marks where its dense shapes and rounded construction can be appreciated. It also works well for labels, stickers, and merchandise graphics where a friendly but emphatic voice is needed.

The tone is bold and good-humored, with a slightly retro, display-forward energy. Its rounded forms and chunky silhouettes feel approachable and informal while still delivering strong visual impact, making it well-suited to attention-grabbing messaging.

The likely intention is a condensed, high-impact display sans that prioritizes strong silhouettes and a soft, rounded personality. Its geometry and consistent weight suggest it was drawn to stay legible and distinctive in bold, attention-oriented typography rather than long-form reading.

The design relies on straightforward geometry and consistent stroke weight, which creates strong silhouette recognition at larger sizes. Some letters show intentionally simplified joins and tight spacing tendencies, reinforcing the compact, poster-style cadence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸