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Free for Commercial Use

Sans Normal Lygew 3 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'BR Nebula' by Brink, 'Muller' and 'Muller Next' by Fontfabric, 'CF Asty' by Fonts.GR, 'Uniform Italic' by Miller Type Foundry, and 'Gentona' by René Bieder (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, app promos, sporty, punchy, playful, retro, confident, attention grabbing, dynamic emphasis, display impact, brand energy, slanted, rounded, bulky, compact, energetic.


Free for commercial use
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A heavy, slanted sans with broad proportions and rounded, compact counters. Strokes are consistently thick with minimal modulation, producing a solid, poster-like color. The italic angle is pronounced and paired with squared-off terminals and slightly softened corners, giving forms a sturdy but friendly edge. Circular letters like O/Q read as robust ovals, while diagonals (V/W/X/Y) are wide-set and strongly braced; the lowercase shows single-storey a and g with tight apertures and a compact, high-impact rhythm.

This typeface performs best in short, bold settings such as headlines, posters, sports and event branding, packaging callouts, and promotional graphics where impact and motion are priorities. It can work for logos and wordmarks that benefit from a forward-leaning, energetic stance, while longer passages will typically need generous size and spacing to maintain clarity.

The overall tone is energetic and extroverted, mixing athletic urgency with a playful, retro display attitude. Its strong slant and dense silhouettes create a sense of motion and confidence, suited to attention-grabbing statements rather than quiet neutrality.

The design appears intended to deliver maximum visual impact through thick strokes, broad letterforms, and an assertive italic slant, creating a dynamic, contemporary display sans with a friendly, rounded build. It prioritizes immediacy and brand presence over fine-detail readability.

At text sizes the heavy weight and tight internal spaces can make counters and joins feel dense, especially in letters like a/e/s and numerals such as 8 and 9. The numerals are bold and blocky with clear, simple silhouettes designed for quick recognition in headline contexts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸