Sans Superellipse Duker 2 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: ui labels, signage, posters, headlines, branding, futuristic, technical, clean, modular, digital, tech aesthetic, system design, modern display, signal clarity, geometric consistency, rounded corners, squared bowls, geometric, monoline, condensed.
A geometric sans built from rounded-rectangle geometry, with straight-sided verticals, squared bowls, and consistently softened corners. Strokes are largely monoline, creating a steady rhythm, while counters tend to be rectangular or superelliptical rather than circular. Curved letters are expressed as boxy arcs (notably in C, G, O, and S), and terminals are clean and flat, emphasizing a precise, engineered feel. Numerals follow the same modular logic, with open, squared forms and minimal curvature.
This style suits interface text, dashboards, and product displays where a clean, technical voice is desired. It also works well for short headlines, posters, and logo/wordmark applications that benefit from a futuristic, modular silhouette. For longer passages, it is best used at comfortable sizes where the squared curves and tight geometry remain easy to parse.
The overall tone is sleek and utilitarian, with a distinctly futuristic, interface-like character. Its rounded-square construction reads as technological and organized, suggesting digital systems, machinery labeling, and contemporary sci‑fi aesthetics rather than humanist warmth.
The font appears intended to translate rounded-rectangle geometry into a coherent alphabet, prioritizing a system-driven construction and a contemporary techno aesthetic. It aims for clarity through consistent stroke behavior and repeated forms, producing a distinctive, modern voice for display and functional labeling.
The design leans on repetition of a few core shapes, giving it a cohesive, systematized look across cases and figures. Diagonals (as in V, W, X, and Z) stay crisp and structural, balancing the otherwise rectilinear curves. The lowercase maintains the same geometric language, avoiding calligraphic details and reinforcing the font’s controlled, modular personality.