Sans Superellipse Afbeg 13 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Macho Modular' by CAST (names referenced only for comparison).
Keywords: ui, product design, signage, editorial, presentations, clean, modern, neutral, technical, approachable, clarity, versatility, modernity, systematic, friendliness, monoline, rounded corners, open counters, soft geometry, even rhythm.
A monoline sans with softly squared, superellipse-like curves and consistently rounded corners. Strokes are even and calm, with open apertures and generous counters that keep forms clear at text sizes. The uppercase is straightforward and geometric, while the lowercase mixes simple, single-storey constructions (notably the a and g) with clean, compact joins and minimal modulation. Numerals are plain and highly legible, matching the same smooth, rounded-rectangle geometry for a cohesive texture across lines.
Well-suited to interfaces and product typography where clarity and a steady rhythm are important, especially in dashboards, settings, and navigation. It can also serve comfortably in editorial and presentation settings, where the soft geometry helps keep long passages readable while maintaining a modern, structured feel.
The overall tone is contemporary and matter-of-fact, combining a technical precision with a friendly softness from the rounded terminals. It reads as neutral and dependable rather than expressive, making it feel quietly modern and accessible.
Likely designed as a versatile, general-purpose sans that stays neutral in tone while distinguishing itself through superellipse-inspired geometry. The emphasis appears to be on legibility, consistency, and a contemporary “soft-tech” character that works across both display and text contexts.
The design’s signature is the “soft-square” curvature: rounds tend to flatten slightly into straight segments, producing a tidy, engineered look. Spacing appears balanced and consistent in the sample text, creating an even typographic color without calling attention to individual shapes.