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Sans Normal Odbun 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'EquipCondensed' by Hoftype, 'Laire Sans' by Jolicia Type, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, playful, modern, display impact, bold branding, graphic clarity, friendly modernity, rounded, blunt, compact, chunky, geometric.


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A heavy, rounded sans with compact proportions and broad, even strokes. Curves are built from smooth circular/elliptical forms, while terminals are mostly blunt and squared off, giving the letters a solid, blocky footprint. Counters are relatively tight in letters like B, P, R, and e, and joins feel sturdy rather than delicate. The lowercase shows a single-storey a and g, a short-armed r, and a simple t with a compact crossbar; punctuation-like details (dots on i/j) read as squarish blocks. Overall spacing and rhythm favor dense, high-impact setting, with wide, stable capitals and simplified interior shaping.

Best suited for headlines, large-scale typography, and short bursts of text where impact matters—posters, branding, packaging, signage, and social graphics. It can work for subheads and callouts in UI or editorial layouts when used at comfortable sizes with generous leading, but it is less ideal for dense body copy where its tight counters may darken the texture.

The font projects strength and clarity with an approachable, rounded warmth. Its bold, simplified geometry feels contemporary and energetic, leaning toward an informal, upbeat tone rather than a technical or editorial one. The dense color and chunky curves give it a poster-like presence that reads as assertive and attention-grabbing.

The design appears intended to deliver maximum visual punch with a friendly, rounded geometric voice. By combining simplified forms, tight internal spaces, and sturdy terminals, it aims to remain highly legible at display sizes while providing a bold, modern character for attention-focused typography.

In the sample text, the heavy weight creates strong word shapes but can reduce interior clarity in small sizes due to tight counters and compact apertures. At larger sizes, the rounded geometry and blunt terminals become a defining stylistic feature, producing a cohesive, graphic texture across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸