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Free for Commercial Use

Sans Normal Yibih 5 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Newhouse DT' by DTP Types, 'Helvetica Hebrew' and 'Helvetica World' by Linotype, 'Reyhan' by Plantype, 'Nimbus Sans Round' and 'Nimbus Sans Thai' by URW Type Foundry, and 'Peter' by Vibrant Types (names referenced only for comparison).

Keywords: posters, packaging, headlines, branding, signage, handmade, energetic, rugged, casual, vintage, handcrafted feel, high impact, informal tone, print texture, brushy, textured, inked, slanted, blunt.


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A slanted, sans-serif design with thick, compact strokes and visibly textured edges that suggest an inked or dry-brush impression. Curves are rounded but slightly irregular, with softened corners and subtle wobble that keeps counters open while avoiding strict geometric precision. Letterforms show small width fluctuations and uneven stroke terminals, creating a lively rhythm across words. Numerals and caps maintain a sturdy, blocky silhouette, while the lowercase keeps a simple, workmanlike structure with consistent proportions.

Best suited to display use where texture can be appreciated: posters, packaging labels, event graphics, and bold brand marks. It can also work for short pull quotes or subheads in editorial layouts, particularly when an informal, printed-by-hand feel is desired. For longer passages, the strong texture and heavy color are likely more effective at larger sizes with generous spacing.

The overall tone feels handmade and practical, with a spirited, informal attitude. Its roughened texture and forward slant give it motion and urgency, reading more like stamped or brushed lettering than a polished corporate face. The vibe leans vintage and utilitarian rather than delicate or luxurious.

This font appears designed to blend sans-serif simplicity with a tactile, analog finish—capturing the look of quick brush lettering or rough print without adding decorative flourishes. The goal seems to be high-impact readability paired with a human, imperfect surface that adds character and momentum.

Texture remains consistent across the alphabet, so the roughness reads as a deliberate stylistic layer rather than random distortion. In the text sample, the italic slant and heavy color create strong emphasis and presence, especially in short phrases and headings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸