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Free for Commercial Use

Solid Ugtu 13 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Barion' by Drizy Font and 'Stallman Round' by Par Défaut (names referenced only for comparison).

Keywords: posters, headlines, logos, game ui, album art, arcade, industrial, brutalist, techno, dystopian, impact, retro tech, graphic texture, signage feel, game aesthetic, blocky, pixelated, angular, stencil-like, compact.


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A dense, rectilinear display face built from chunky blocks and hard right angles. Counters and apertures are frequently reduced to small notches or fully collapsed, producing solid silhouettes with cut-in bites rather than open bowls. Strokes keep a uniform thickness and terminate abruptly, with stepped corners and occasional interior slits that create a mechanical, modular rhythm. Spacing and fit feel deliberately uneven across glyphs, reinforcing an irregular, constructed texture in words.

Best suited to large-scale applications where its solid forms and notched geometry can stay distinct: posters, title cards, packaging, and logo wordmarks. It also fits game interfaces, arcade-themed graphics, and techno or industrial branding. For longer copy, it works most reliably in short lines or pull quotes with ample spacing and strong contrast.

The overall tone is gritty and game-like, suggesting retro digital hardware, arcade cabinets, and utilitarian signage. Its heavy black mass reads forceful and confrontational, while the notched details add a coded, industrial edge. The result feels futuristic in a lo-fi way—more bunker-tech than sleek minimalism.

The design appears intended to maximize visual impact through solid, nearly counterless shapes, while introducing character via carved notches and stepped edges. It prioritizes graphic presence and a modular, machine-made texture over traditional legibility, positioning it as a statement display font for stylized, high-contrast layouts.

At text sizes the collapsed interiors and narrow apertures make some letters rely on silhouette recognition, so clarity improves with generous size and tracking. The texture is strongest in all-caps or short bursts where the stepped geometry can read as intentional pattern rather than continuous prose.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸