Sans Superellipse Uhni 3 is a bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, branding, ui labels, posters, packaging, techy, futuristic, confident, clean, industrial, tech aesthetic, geometric clarity, strong impact, ui suitability, modern branding, rounded corners, squared curves, monoline, compact apertures, blocky.
A chunky, monoline sans with rounded-rectangle construction and softly squared curves throughout. Corners are consistently radiused, producing superelliptical bowls in letters like O, D, and P, while straight strokes stay firm and geometric. Terminals are mostly flat and cut cleanly, with tight, compact apertures in forms like e and s. The lowercase is sturdy and straightforward with simple, single-storey shapes (notably a and g), and the numerals follow the same rounded-square logic for a cohesive, system-like texture in text.
Best suited to display settings where its bold, geometric presence can lead: headlines, logotypes, brand marks, and poster typography. The squared-round construction also works well for UI labels, navigation, and product or packaging graphics that aim for a modern, tech-forward look. It remains legible at moderate sizes, but the compact apertures favor short bursts of text over long reading.
The overall tone is modern and engineered, with a distinctly techno flavor driven by its rounded-square geometry. It feels efficient and assertive rather than friendly, suggesting interfaces, devices, and contemporary industrial design. The uniform stroke weight and closed-in counters give it a purposeful, controlled voice.
The design appears intended to translate rounded-rectangle and superellipse geometry into a practical sans that feels contemporary and device-native. It prioritizes strong silhouettes, consistent radii, and a compact internal structure to create a crisp, modern voice for branding and interface-oriented typography.
Diagonal letters (K, V, W, X, Y) keep sharp joins but still read softened due to the consistent corner rounding. The Q’s short tail and the rectangular O/0 family emphasize the font’s modular, screen-oriented personality. In running text, the dense shapes and compact openings create a strong, high-impact gray value.