Sans Normal Uldir 17 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Sans Atwic Modern' by Caron twice, 'Atlantica' by Jonahfonts, 'LCT Picon' by LCT, 'Dialog' by Linotype, 'SST' and 'SST Vietnamese' by Monotype, 'Interval Next' by Mostardesign, and 'Evander' by Punchform (names referenced only for comparison).
Keywords: ui text, body text, branding, signage, editorial, clean, neutral, modern, friendly, practical, readability, versatility, clarity, neutrality, humanist, open apertures, rounded terminals, balanced proportions, even rhythm.
This typeface presents a clean sans-serif construction with gently rounded curves and largely uniform stroke weight. Uppercase forms are straightforward and stable, with circular bowls (C, G, O, Q) that read smooth and open, and a clear, unadorned “I” and “L.” Lowercase letters show a single-storey “a” and “g,” a compact, rounded “e,” and a soft-shouldered “r,” contributing to an approachable texture. Numerals are simple and highly legible, with open shapes and consistent spacing that keeps the overall rhythm even in running text.
It suits interface and product typography where clarity and consistency are needed, and it performs well in longer passages such as editorial or informational text. The straightforward capitals and clean numerals also make it appropriate for signage, dashboards, and brand systems that want a contemporary but unobtrusive sans-serif.
The overall tone is modern and neutral, aiming for clarity over personality while still feeling warm rather than clinical. Its rounded forms and open counters give it a friendly, accessible voice suited to everyday communication.
The likely intention is a general-purpose sans-serif designed for comfortable reading and broad utility. Its open forms, rounded details, and balanced proportions suggest an emphasis on clear communication across both display snippets and continuous text.
The design maintains a steady typographic color across lines, with counters that stay open at text sizes and curves that avoid sharp, geometric harshness. Letterforms appear optimized for general readability, with clear distinctions between similar shapes (such as O/Q and I/l) in the contexts shown.