Sans Superellipse Udnug 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Cybersport' by Anton Kokoshka, 'Binaria' by Graviton, 'Midsole' by Grype, 'Refinery' by Kimmy Design, and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: sports branding, posters, headlines, logos, apparel, sporty, dynamic, tough, modern, technical, impact, speed, modernity, clarity, branding, slanted, rounded corners, compact, blocky, squared.
A heavy, forward-slanted sans with a squared, superelliptical construction and consistently rounded corners. Strokes are thick and even, with tight inner counters and a compact rhythm that keeps letters feeling dense and solid. Curves tend to resolve into flattened arcs and chamfer-like rounds rather than fully circular bowls, producing a pragmatic, engineered texture. Terminals are clean and blunt, and the overall silhouette reads wide-shouldered and stable despite the slant.
Works best for short, prominent text such as sports identities, team and event branding, posters, packaging callouts, and headline systems where strong silhouettes matter. It can also suit logos and apparel graphics that benefit from a compact, high-impact italic voice, especially in all-caps or mixed-case display settings.
The font projects speed and pressure—assertive, athletic, and built for impact. Its rounded-rectangle geometry lends a contemporary, technical tone, while the strong slant adds urgency and motion. Overall it feels confident and competitive, suited to bold, attention-grabbing messaging.
Likely designed to deliver a bold, fast display voice built from rounded-rectangle forms, balancing ruggedness with modern geometric polish. The consistent stroke weight and blunt terminals emphasize durability and clarity, while the slant reinforces motion and a competitive, performance-oriented feel.
The figure set follows the same squared, rounded-corner logic, with sturdy, high-contrast-in-size silhouettes that stay legible at a glance. Uppercase forms appear slightly more condensed and rigid, while lowercase introduces more differentiated shapes (notably in bowls and descenders) without breaking the geometric system.