Sans Superellipse Wiji 9 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, posters, branding, logotypes, ui headers, futuristic, tech, sci‑fi, sporty, industrial, display impact, tech signaling, streamlined geometry, modern branding, high visibility, squared, rounded corners, extended, streamlined, geometric.
A geometric sans with a squared, rounded-corner construction that emphasizes long horizontals and clean, continuous strokes. Curves resolve into superellipse-like bowls and counters, while terminals are consistently blunt and softly radiused for a machined, engineered feel. The proportions are notably extended, with wide capitals and generous internal spacing that keeps forms open at display sizes. Lowercase follows the same rounded-rectangle logic, with compact joins and simplified details that prioritize smooth rhythm over calligraphic modulation.
Best suited to headlines, posters, and brand marks where a sleek, extended sans can carry a strong voice. It also works well for UI headers, product naming, packaging, and technology- or automotive-adjacent graphics that benefit from a modern, engineered aesthetic. In longer passages, its width and display-first shapes are more comfortable when used for short blocks or emphasized lines rather than dense body text.
The overall tone is futuristic and technical, evoking interface typography, motorsport graphics, and sci‑fi titling. Its rounded corners soften the otherwise hard-edged geometry, balancing a high-tech personality with approachable smoothness. The extended stance and streamlined forms add a sense of speed and forward motion.
The design appears intended as a modern display sans built from a consistent rounded-rectilinear geometry. Its extended proportions and softened corners suggest a goal of delivering a futuristic, high-visibility look while keeping letterforms clean, legible, and visually unified across caps, lowercase, and numerals.
Several glyphs lean on horizontal emphasis (notably E, F, T, Z, and the numerals), reinforcing a low-friction, aerodynamic look. Round letters such as O/Q and the bowls in B/D/P read as rounded rectangles rather than true circles, which helps maintain a cohesive system across the set. The sample text shows strong presence and even texture at large sizes, where the wide proportions and open counters are most effective.