Serif Normal Jomab 14 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Moisette' by Nasir Udin (names referenced only for comparison).
Keywords: books, editorial, magazines, headlines, academic, classic, refined, formal, literary, readability, tradition, editorial polish, authority, bracketed, crisp, transitional, bookish, sculpted.
A high-contrast serif with crisp hairlines, fuller vertical stems, and neatly bracketed serifs that taper to sharp terminals. The letterforms keep an upright stance with measured proportions and a steady baseline rhythm, while curves are drawn with clean, confident modulation. Counters are moderately open and the overall texture reads smooth and even in text, with a distinctly carved, print-like finish. Numerals follow the same contrast and serif treatment, maintaining a cohesive, traditional typographic color.
Well-suited to book typography and long-form editorial settings where a traditional serif texture is desired. It also performs effectively for magazine headlines and section titles, where its contrast and crisp serifs add authority and sophistication. The overall steadiness makes it a good fit for academic or institutional communication that benefits from a classic typographic voice.
The font conveys a classic, literary tone with a polished, editorial voice. Its strong thick–thin rhythm and sharp finishing details feel formal and authoritative, suggesting tradition and care rather than casualness. Overall, it reads as refined and dependable, with enough elegance to feel premium without becoming ornamental.
The design appears intended as a conventional text serif that emphasizes clarity and tradition while adding refinement through pronounced contrast and carefully finished serifs. It aims to deliver a familiar reading experience with an elevated, print-classic character suitable for professional publishing and formal branding contexts.
In the sample text, the contrast remains clear at larger sizes and creates a crisp sparkle in the whitespace around letters. Round forms (like O and C) feel balanced and slightly sculptural, while diagonals and joins stay clean, supporting a composed, conventional reading texture.